There are masses of other effects to play with, including 22 new ones. ^ 3D models can be used as particles, and each one can act as an emitter for its own particle system. Hitfilm is crying out for Bezier animation controls for both trajectory and velocity. This simple option isn't really enough for precise animations that convey a sense of momentum. For example, when animating a model from point A to point B, there's a choice of constant velocity or to ease in and/or out for gentler acceleration or deceleration. Stacking up lots of particle effects and enabling motion blur goes a long way towards delivering convincing results.Īnother limitation is that there's only basic control over the interpolation between keyframes. However, it is possible to animate elements within a model, such as wheels on a car or propellers on a helicopter. We experienced some problems with bitmap textures not being read correctly, leaving us to relink to them manually. However, with no ray tracing the results look a little short of photorealistic.
#Hitfilm pro cost for free
There are models available for free or at reasonable prices at sites such as Render quality is good rather than great, with sophisticated lighting and the ability to cast shadows. Model by Herminio NievesģD models aren't created inside Hitfilm, but it supports 3DS, OBJ and LWO formats. ^ 3D models and particles now wrap around each other more convincingly.
This significantly boosts the realism of shots that combine models and particles. In version 3, a new option allows 3D models and particles to intermingle in the same 3D space. Whether the model sat in front of or behind the particles depended on the order of layers on the timeline, and bore no relation to which was nearer to the virtual camera. In version 2, particles and 3D models could be animated on the same 3D axes but existed on separate layers. Our favourite new feature is Unified 3D Space. However, there's a lot here to justify the £139 upgrade. With so much already possible in version 2, the new version didn't have to do much to earn yet another five-star review from us. It's perfect for creating sophisticated animated logos, and we'd imagine many people will buy it to produce outlandish special effect videos just for the fun of it. Digital effects often work best when they employ multiple techniques, and this is something Hitfilm excels at.Īt a little over £200, it's an absolute treat for amateur filmmakers with high aspirations. However, this depth of control also means there's tremendous scope to find creative solutions to technical challenges. Even after many days' use we still find ourselves struggling to locate parameters in the huge nested lists. It takes time and a high level of technical competency to get to grips with Hitfilm. Together, these features let users add 3D models and particle effects to moving camera shots with impressive levels of realism. Hitfilm 2 expanded its capabilities considerably, gaining the ability to import and animate 3D models, and included a limited version of Imagineer Systems Mocha for analysing video footage and calculating camera movement. Hitfilm specialises in dramatic effects like fire, explosions, lasers and lightning bolts.
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